Grammatography - Revision history

Juju: /* grammatography */

2022-04-18T16:07:01Z

grammatography

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	[[File:Grammatography-lexicon.jpg\|thumb\|Grammato-Graphices, in: ''Quo Varia ~~Scripurae~~ Emblemata'', Cornelis Dirckszoon Boissens (1568–1634), 1605, Rijksmuseum, Amsterdam.]]		[[File:Grammatography-lexicon.jpg\|thumb\|Grammato-Graphices, in: ''Quo Varia Scripturae Emblemata'', Cornelis Dirckszoon Boissens (1568–1634), 1605, Rijksmuseum, Amsterdam.]]

	<span class="page-break></span>		<span class="page-break></span>

Hd-onions at 09:09, 12 April 2022

2022-04-12T09:09:09Z

← Older revision		Revision as of 11:09, 12 April 2022
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	<span class="author">Akiem Helmling</span>		<span class="author">Akiem Helmling</span>

	Writing is a <mark class="c6">material practice</mark>, consisting of two associated activities: the creation and composition of signs. This makes it a fundamentally collective <mark class="c6">material practice</mark>. Additionally, all writing can be reproduced, transported, adapted, rewritten, repurposed, reshaped, and shared with comparatively little effort and cost. Therefore, writing arguably is one of the most collective <mark class="c6">material practices</mark> in existence.		<div class="no-indent">Writing is a <mark class="c6">material practice</mark>, consisting of two associated activities: the creation and composition of signs. This makes it a fundamentally collective <mark class="c6">material practice</mark>. Additionally, all writing can be reproduced, transported, adapted, rewritten, repurposed, reshaped, and shared with comparatively little effort and cost. Therefore, writing arguably is one of the most collective <mark class="c6">material practices</mark> in existence.</div>

	With the introduction of variable fonts by Adobe, Apple, Google, and Microsoft in September 2016, the stage was set for grammatographic writing, whereby letters are dynamic instead of static. In variable fonts, letter outlines no longer have a static contour, but can be modified by the writer into different shapes according to parameters predefined by the designer. For example, a letter no longer needs to be written in predefined weights such as normal or bold type (as is the case with static fonts), but can now be written in any of the intermediary shapes between normal and bold. Also, dynamic fonts or ‘grammata’ can provide more advanced capabilities whereby letters can be transformed into completely different shapes, defined by the person writing with them. Currently, we can understand this innovation and its potential for transforming cultures of writing only through old concepts and conventions—namely traditional, static-outline fonts and typography. In order to grasp its future potential, we propose a new term: <mark class="c6">''grammatography''</mark>: writing with prefabricated dynamic letters. These can change their shape during and even after the act of writing.		With the introduction of variable fonts by Adobe, Apple, Google, and Microsoft in September 2016, the stage was set for grammatographic writing, whereby letters are dynamic instead of static. In variable fonts, letter outlines no longer have a static contour, but can be modified by the writer into different shapes according to parameters predefined by the designer. For example, a letter no longer needs to be written in predefined weights such as normal or bold type (as is the case with static fonts), but can now be written in any of the intermediary shapes between normal and bold. Also, dynamic fonts or ‘grammata’ can provide more advanced capabilities whereby letters can be transformed into completely different shapes, defined by the person writing with them. Currently, we can understand this innovation and its potential for transforming cultures of writing only through old concepts and conventions—namely traditional, static-outline fonts and typography. In order to grasp its future potential, we propose a new term: <mark class="c6">''grammatography''</mark>: writing with prefabricated dynamic letters. These can change their shape during and even after the act of writing.

Hd-onions: /* grammatography */

2022-04-10T14:57:54Z

grammatography

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	<span class="page-break></span>		<span class="page-break></span>

	typography where writers use pre-fabricated letters (nearly always designed by another person) to compose their own words, sentences, and texts. Typography enables <mark class="c6">distribution</mark> of texts in large editions, whereby each copy is 100% identical and whose letters remain the same forever (if one leaves aside the material wear of ink and paper). 500 years after the famous Gutenberg Bible (also known as the 42-line Bible or just B42) was printed, this is still the most common way of sharing information and communicating in writing.		<div class="no-indent">
			typography where writers use pre-fabricated letters (nearly always designed by another person) to compose their own words, sentences, and texts. Typography enables <mark class="c6">distribution</mark> of texts in large editions, whereby each copy is 100% identical and whose letters remain the same forever (if one leaves aside the material wear of ink and paper). 500 years after the famous Gutenberg Bible (also known as the 42-line Bible or just B42) was printed, this is still the most common way of sharing information and communicating in writing.</div>

	While Gutenberg was definitely not the first person to use prefabricated letters, he was arguably most influential for the chirographic to typographic transformation of the Western world. Many have written and published about the societal impact of the Gutenberg press, for example Marshall McLuhan, Neil Postman, Vilém Flusser, and Eric A. Havelock. While Flusser is known for his claim that (human) history only started with the act of writing, it is perhaps even more important to recognize to which extent human life is informed by how we write. Up to now, Western modernity has been clearly a typographic one, if only due to the fact that all laws are published in static typographic writing.		While Gutenberg was definitely not the first person to use prefabricated letters, he was arguably most influential for the chirographic to typographic transformation of the Western world. Many have written and published about the societal impact of the Gutenberg press, for example Marshall McLuhan, Neil Postman, Vilém Flusser, and Eric A. Havelock. While Flusser is known for his claim that (human) history only started with the act of writing, it is perhaps even more important to recognize to which extent human life is informed by how we write. Up to now, Western modernity has been clearly a typographic one, if only due to the fact that all laws are published in static typographic writing.

Hd-onions: /* grammatography */

2022-04-08T12:26:22Z

grammatography

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	<span class="page-break"> </span>		<span class="page-break"> </span>

	[[File:Grammat-Lee-Ufan-From-Line-1978.jpg\|thumb\|Lee Ufan, ''From Line'', 1978, glue, stone pigment on canvas, 182 x 227 cm, www.studioleeufan.org.		[[File:Grammat-Lee-Ufan-From-Line-1978.jpg\|thumb\|Lee Ufan, ''From Line'', 1978, glue, stone pigment on canvas, <br>
			182 x 227 cm, www.studioleeufan.org.
	]]		]]

Hd-onions: /* grammatography */

2022-04-08T12:24:36Z

grammatography

← Older revision		Revision as of 14:24, 8 April 2022
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	Grammatography has to do with letters, to the degree that both the writer of the text and the designer of the letters are involved in defining the letter shapes. As such, grammatography could be understood as a new form of writing in addition to our existing forms of writing, an act in which we use new sorts-of-writing instruments, in the same way as we play different musical instruments. The result is an interplay of the performer and instrument builders. Both instruments are characterized by flexible, built-in general vocabularies that are subsequently performed; in music, musical scales like the chromatic scale, in text, script likes Latin script.		Grammatography has to do with letters, to the degree that both the writer of the text and the designer of the letters are involved in defining the letter shapes. As such, grammatography could be understood as a new form of writing in addition to our existing forms of writing, an act in which we use new sorts-of-writing instruments, in the same way as we play different musical instruments. The result is an interplay of the performer and instrument builders. Both instruments are characterized by flexible, built-in general vocabularies that are subsequently performed; in music, musical scales like the chromatic scale, in text, script likes Latin script.

	Grammatography can open up as many possibilities for writing as musical instruments can for making sound. While we primarily play musical instruments for aesthetic reasons (expressions of feelings instead of communicating precise messages), a similar expressive range could (re)emerge in this new kind of writing. ~~grammatography~~ points to a form of writing that transcends the currently dominant typographic logic of writing, and frees the act of writing from its typographic imprisonment.		Grammatography can open up as many possibilities for writing as musical instruments can for making sound. While we primarily play musical instruments for aesthetic reasons (expressions of feelings instead of communicating precise messages), a similar expressive range could (re)emerge in this new kind of writing. Grammatography points to a form of writing that transcends the currently dominant typographic logic of writing, and frees the act of writing from its typographic imprisonment.

	A historical note: the term grammatography was first used in 1605, in a publication in which the Dutch calligrapher Cornelis Dirckszoon Boissens demonstrated his penmanship. Its full title is ''Grammato-Graphices. In Quo Varia Scripturae Emblemata'' (‘Grammato-Graphices. Containing Various Illustrations of Handwriting’). In 1861, grammatography was also used in the English translation of the German publication ''Alphabete orientalischer und occidentalischer Sprachen'': ''Grammatography: a Manual of Reference to the Alphabets of Ancient and Modern Languages''. Why the translator chose this term is unknown. Finally, the word grammatography appears in ''De la grammatologie'' (1967) by Jacques Derrida. Here, the term is used as a synonym for calligraphy. Finally in 2019, the Dutch type foundry Underware proposed to use this term for every kind of writing that involves dynamic letters. This proposal was made in response to the technical invention of variable fonts.		A historical note: the term grammatography was first used in 1605, in a publication in which the Dutch calligrapher Cornelis Dirckszoon Boissens demonstrated his penmanship. Its full title is ''Grammato-Graphices. In Quo Varia Scripturae Emblemata'' (‘Grammato-Graphices. Containing Various Illustrations of Handwriting’). In 1861, grammatography was also used in the English translation of the German publication ''Alphabete orientalischer und occidentalischer Sprachen'': ''Grammatography: a Manual of Reference to the Alphabets of Ancient and Modern Languages''. Why the translator chose this term is unknown. Finally, the word grammatography appears in ''De la grammatologie'' (1967) by Jacques Derrida. Here, the term is used as a synonym for calligraphy. Finally in 2019, the Dutch type foundry Underware proposed to use this term for every kind of writing that involves dynamic letters. This proposal was made in response to the technical invention of variable fonts.

Hd-onions: /* grammatography */

2022-04-08T12:23:56Z

grammatography

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	But with the introduction of variable fonts, grammatography has become widely available and promises to disrupt this foundational technology undergirding modernity.		But with the introduction of variable fonts, grammatography has become widely available and promises to disrupt this foundational technology undergirding modernity.

	There is a clear connection between grammatography and the internet, or more precisely, the technologies that constitute the World Wide Web: the hypertext transfer protocol (http) in conjunction with the hypertext markup language (html) and its extensions CSS and Javascript. This combination of network protocol, file format and, optionally, computer programming language augment linear text into		There is a clear connection between grammatography and the internet, or more precisely, the technologies that constitute the World Wide Web: the hypertext transfer protocol (http) in conjunction with the hypertext markup language (html) and its extensions CSS and Javascript. This combination of network protocol, file format and, optionally, computer programming language augment linear text into hypertext. However, this technology still only makes the structure of a text dynamic, not the shape of its letters.

	~~<span class="page-break"> </span>~~

	hypertext. However, this technology still only makes the structure of a text dynamic, not the shape of its letters.

	In the early days of the internet, most people only understood hypertext as a variation of the static text, and therefore borrowed typographic terminology such as headers, footers, and pages from the foregoing typographic age. Vilém Flusser, however, immediately understood the novelty and consequence of this new technology. When he published a hypertext version of his book ''Die Schrift'' in 1987, he wisely and presciently called this publication neither an e-book nor an electronic publication, but simply a ‘nicht mehr Buch’ (‘no longer book’).		In the early days of the internet, most people only understood hypertext as a variation of the static text, and therefore borrowed typographic terminology such as headers, footers, and pages from the foregoing typographic age. Vilém Flusser, however, immediately understood the novelty and consequence of this new technology. When he published a hypertext version of his book ''Die Schrift'' in 1987, he wisely and presciently called this publication neither an e-book nor an electronic publication, but simply a ‘nicht mehr Buch’ (‘no longer book’).

Hd-onions: /* grammatography */

2022-04-08T12:23:05Z

grammatography

← Older revision		Revision as of 14:23, 8 April 2022
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	<span class="page-break></span>		<span class="page-break></span>

	typography where writers use pre-fabricated letters (nearly always designed by another person) to compose their own words, sentences, and texts. Typography enables <mark class="c6">distribution</mark>of texts in large editions, whereby each copy is 100% identical and whose letters remain the same forever (if one leaves aside the material wear of ink and paper). 500 years after the famous Gutenberg Bible (also known as the 42-line Bible or just B42) was printed, this is still the most common way of sharing information and communicating in writing.		typography where writers use pre-fabricated letters (nearly always designed by another person) to compose their own words, sentences, and texts. Typography enables <mark class="c6">distribution</mark> of texts in large editions, whereby each copy is 100% identical and whose letters remain the same forever (if one leaves aside the material wear of ink and paper). 500 years after the famous Gutenberg Bible (also known as the 42-line Bible or just B42) was printed, this is still the most common way of sharing information and communicating in writing.

	While Gutenberg was definitely not the first person to use prefabricated letters, he was arguably most influential for the chirographic to typographic transformation of the Western world. Many have written and published about the societal impact of the Gutenberg press, for example Marshall McLuhan, Neil Postman, Vilém Flusser, and Eric A. Havelock. While Flusser is known for his claim that (human) history only started with the act of writing, it is perhaps even more important to recognize to which extent human life is informed by how we write. Up to now, Western modernity has been clearly a typographic one, if only due to the fact that all laws are published in static typographic writing.		While Gutenberg was definitely not the first person to use prefabricated letters, he was arguably most influential for the chirographic to typographic transformation of the Western world. Many have written and published about the societal impact of the Gutenberg press, for example Marshall McLuhan, Neil Postman, Vilém Flusser, and Eric A. Havelock. While Flusser is known for his claim that (human) history only started with the act of writing, it is perhaps even more important to recognize to which extent human life is informed by how we write. Up to now, Western modernity has been clearly a typographic one, if only due to the fact that all laws are published in static typographic writing.

Hd-onions at 13:47, 7 April 2022

2022-04-07T13:47:30Z

← Older revision		Revision as of 15:47, 7 April 2022
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	Grammatography can open up as many possibilities for writing as musical instruments can for making sound. While we primarily play musical instruments for aesthetic reasons (expressions of feelings instead of communicating precise messages), a similar expressive range could (re)emerge in this new kind of writing. grammatography points to a form of writing that transcends the currently dominant typographic logic of writing, and frees the act of writing from its typographic imprisonment.		Grammatography can open up as many possibilities for writing as musical instruments can for making sound. While we primarily play musical instruments for aesthetic reasons (expressions of feelings instead of communicating precise messages), a similar expressive range could (re)emerge in this new kind of writing. grammatography points to a form of writing that transcends the currently dominant typographic logic of writing, and frees the act of writing from its typographic imprisonment.

	A historical note: the term grammatography was first used in 1605, in a publication in which the Dutch calligrapher Cornelis Dirckszoon Boissens demonstrated his penmanship. Its full title is ''Grammato-Graphices. In Quo Varia Scripturae Emblemata'' (‘Grammato-Graphices. Containing Various Illustrations of Handwriting’). In 1861, grammatography was also used in the English translation of the German publication ''Alphabete orientalischer und occidentalischer Sprachen'': ''Grammatography: a Manual of Reference to the Alphabets of Ancient and Modern Languages''. Why the translator chose this term is unknown. Finally, the word grammatography appears in ''De la grammatologie'', by Jacques Derrida ~~(1967)~~. Here, the term is used as a synonym for calligraphy. Finally in 2019, the Dutch type foundry Underware proposed to use this term for every kind of writing that involves dynamic letters. This proposal was made in response to the technical invention of variable fonts.		A historical note: the term grammatography was first used in 1605, in a publication in which the Dutch calligrapher Cornelis Dirckszoon Boissens demonstrated his penmanship. Its full title is ''Grammato-Graphices. In Quo Varia Scripturae Emblemata'' (‘Grammato-Graphices. Containing Various Illustrations of Handwriting’). In 1861, grammatography was also used in the English translation of the German publication ''Alphabete orientalischer und occidentalischer Sprachen'': ''Grammatography: a Manual of Reference to the Alphabets of Ancient and Modern Languages''. Why the translator chose this term is unknown. Finally, the word grammatography appears in ''De la grammatologie'' (1967) by Jacques Derrida. Here, the term is used as a synonym for calligraphy. Finally in 2019, the Dutch type foundry Underware proposed to use this term for every kind of writing that involves dynamic letters. This proposal was made in response to the technical invention of variable fonts.

Hd-onions at 13:46, 7 April 2022

2022-04-07T13:46:46Z

← Older revision		Revision as of 15:46, 7 April 2022
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	hypertext. However, this technology still only makes the structure of a text dynamic, not the shape of its letters.		hypertext. However, this technology still only makes the structure of a text dynamic, not the shape of its letters.

	In the early days of the internet, most people only understood hypertext as a variation of the static text, and therefore borrowed typographic terminology such as headers, footers, and pages from the foregoing typographic age. Vilém Flusser, however, immediately understood the novelty and consequence of this new technology. When he published a hypertext version of his book ''Die Schrift'' in 1987, he wisely and presciently called this publication neither an e-book nor an electronic publication, but simply a ~~‘Nicht Mehr~~ Buch’ (‘no longer book’).		In the early days of the internet, most people only understood hypertext as a variation of the static text, and therefore borrowed typographic terminology such as headers, footers, and pages from the foregoing typographic age. Vilém Flusser, however, immediately understood the novelty and consequence of this new technology. When he published a hypertext version of his book ''Die Schrift'' in 1987, he wisely and presciently called this publication neither an e-book nor an electronic publication, but simply a ‘nicht mehr Buch’ (‘no longer book’).

	Along the same lines, we could ask whether a letter whose shape can be dynamically changed is still a letter, or whether it is rather a no-longer-letter. <br>		Along the same lines, we could ask whether a letter whose shape can be dynamically changed is still a letter, or whether it is rather a no-longer-letter. <br>

Hd-onions at 13:46, 7 April 2022

2022-04-07T13:46:24Z

← Older revision		Revision as of 15:46, 7 April 2022
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	<span class="page-break></span>		<span class="page-break></span>

	typography where writers use pre-fabricated letters (nearly always designed by another person) to compose their own words, sentences, and texts. Typography enables distribution of texts in large editions, whereby each copy is 100% identical and whose letters remain the same forever (if one leaves aside the material wear of ink and paper). 500 years after the famous Gutenberg Bible (also known as the 42-line Bible or just B42) was printed, this is still the most common way of sharing information and communicating in writing.		typography where writers use pre-fabricated letters (nearly always designed by another person) to compose their own words, sentences, and texts. Typography enables <mark class="c6">distribution</mark>of texts in large editions, whereby each copy is 100% identical and whose letters remain the same forever (if one leaves aside the material wear of ink and paper). 500 years after the famous Gutenberg Bible (also known as the 42-line Bible or just B42) was printed, this is still the most common way of sharing information and communicating in writing.

	While Gutenberg was definitely not the first person to use prefabricated letters, he was arguably most influential for the chirographic to typographic transformation of the Western world. Many have written and published about the societal impact of the Gutenberg press, for example Marshall McLuhan, Neil Postman, Vilém Flusser, and Eric A. Havelock. While Flusser is known for his claim that (human) history only started with the act of writing, it is perhaps even more important to recognize to which extent human life is informed by how we write. Up to now, Western modernity has been clearly a typographic one, if only due to the fact that all laws are published in static typographic writing.		While Gutenberg was definitely not the first person to use prefabricated letters, he was arguably most influential for the chirographic to typographic transformation of the Western world. Many have written and published about the societal impact of the Gutenberg press, for example Marshall McLuhan, Neil Postman, Vilém Flusser, and Eric A. Havelock. While Flusser is known for his claim that (human) history only started with the act of writing, it is perhaps even more important to recognize to which extent human life is informed by how we write. Up to now, Western modernity has been clearly a typographic one, if only due to the fact that all laws are published in static typographic writing.