Representation - Revision history

Karl: /* representation */

2022-04-12T10:05:40Z

representation

← Older revision		Revision as of 12:05, 12 April 2022
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	<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>		<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>

	<div class="no-indent">''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</~~span~~>		<div class="no-indent">''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</div>

	''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.		''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.

Karl: /* representation */

2022-04-12T10:02:43Z

representation

← Older revision		Revision as of 12:02, 12 April 2022
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	<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>		<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>

	<div class="no-indent">''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</~~div~~>		<div class="no-indent">''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</span>

	''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.		''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.

Karl: /* representation */

2022-04-12T10:01:31Z

representation

← Older revision		Revision as of 12:01, 12 April 2022
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	<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>		<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>

	<div class="no-indent">''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</~~span~~>		<div class="no-indent">''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</div>

	''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.		''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.

Juju at 09:48, 12 April 2022

2022-04-12T09:48:41Z

← Older revision		Revision as of 11:48, 12 April 2022
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	<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>		<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>

	<div class="no-indent"''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</span>		<div class="no-indent">''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</span>

	''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.		''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.

Juju: /* representation */

2022-04-12T09:48:26Z

representation

← Older revision		Revision as of 11:48, 12 April 2022
Line 2:		Line 2:
	<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>		<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>

	''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?		<div class="no-indent"''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?</span>

	''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.		''Feral Atlas'' is designed as an exploratory and open journey through an assembled polyphony of materials. Hand-painted watercolours, hydrophone recordings, molecular diagrams, scientific charts, sketches, sound art, and maps made from satellite data and calculated projections sit alongside scientific writing, autoethnography, memoir, poetry, biological modelling, music, video poems, and song. Each element provides an account of the Anthropocene in its own right. Yet when they come together, these diverse elements perform an iterative, multisensuous, and multiperspectival account of how imperial and industrial infrastructures make Anthropocene worlds.

Juju: /* representation */

2022-04-07T14:09:21Z

representation

← Older revision		Revision as of 16:09, 7 April 2022
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	==representation==		==representation==
	<span class="author">Feral Atlas		<span class="author">Feral Atlas (Lili Carr & Feifei Zhou)</span>
	~~<br>~~(Lili Carr & Feifei Zhou)</span>

	''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?		''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?

Juju at 13:13, 7 April 2022

2022-04-07T13:13:56Z

← Older revision		Revision as of 15:13, 7 April 2022
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	<span class="page-break"> </span>		<span class="page-break"> </span>

	During the symposium Making Matters: Collective Material Practices in Critical Times, we (Feral Atlas members Feifei Zhou and Lili Carr) conducted a <mark class="c4">workshop</mark> in noticing <mark class="c7">feral</mark> effects in the area where you live. A screenshot of our collective online map of collated observations is reproduced overleaf.		<div class="referencing">During the symposium Making Matters: Collective Material Practices in Critical Times, we (Feral Atlas members Feifei Zhou and Lili Carr) conducted a <mark class="c4">workshop</mark> in noticing <mark class="c7">feral</mark> effects in the area where you live. A screenshot of our collective online map of collated observations is reproduced overleaf.


	''Feral Atlas'' is curated and edited by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou. It can be accessed online at Stanford University Press: [http://www.feralatlas.org www.feralatlas.org.]		''Feral Atlas'' is curated and edited by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou. It can be accessed online at Stanford University Press: [http://www.feralatlas.org www.feralatlas.org.]</div>

	<span class="spread">[[File:Representation - Feral Atlas.jpg\|thumb\|A collective work by the participants of ''Feral Atlas as a Verb'' at Making Matters Symposium: Collective Material Practices in Critical Times (Het Nieuwe Instituut Rotterdam, 21 Nov 2020) and at Driving the Human Opening Festival (ZKM Karlsruhe, 22 Nov 2020).]]</span>		<span class="spread">[[File:Representation - Feral Atlas.jpg\|thumb\|A collective work by the participants of ''Feral Atlas as a Verb'' at Making Matters Symposium: Collective Material Practices in Critical Times (Het Nieuwe Instituut Rotterdam, 21 Nov 2020) and at Driving the Human Opening Festival (ZKM Karlsruhe, 22 Nov 2020).]]</span>

Juju: /* representation */

2022-04-07T13:07:37Z

representation

← Older revision		Revision as of 15:07, 7 April 2022
Line 11:		Line 11:
	<span class="page-break"> </span>		<span class="page-break"> </span>

	During the symposium Making Matters: Collective Material Practices in Critical Times, we (Feral Atlas members Feifei Zhou and Lili Carr) conducted a <mark class="c4">workshop</mark> in noticing <mark class="c7">feral</mark> effects in the area where you live. A screenshot of our collective online map of collated observations is reproduced ~~below~~.		During the symposium Making Matters: Collective Material Practices in Critical Times, we (Feral Atlas members Feifei Zhou and Lili Carr) conducted a <mark class="c4">workshop</mark> in noticing <mark class="c7">feral</mark> effects in the area where you live. A screenshot of our collective online map of collated observations is reproduced overleaf.

	''Feral Atlas'' is curated and edited by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou. It can be accessed online at Stanford University Press: [http://www.feralatlas.org <u>www.feralatlas.org</u>]

	<span class="spread">[[File:Representation - Feral Atlas.jpg\|thumb\|A collective work by the participants of ''Feral Atlas as a Verb'' @ Making Matters Symposium: Collective Material Practices in Critical Times (Het Nieuwe Instituut, Rotterdam, 21 ~~November~~ 2020) and @ Driving the Human Opening Festival (ZKM Karlsruhe, 22 ~~November~~ 2020). ~~Copyright: Lili Carr & Feifei Zhou~~]]</span>		''Feral Atlas'' is curated and edited by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou. It can be accessed online at Stanford University Press: [http://www.feralatlas.org www.feralatlas.org.]

			<span class="spread">[[File:Representation - Feral Atlas.jpg\|thumb\|A collective work by the participants of ''Feral Atlas as a Verb'' at Making Matters Symposium: Collective Material Practices in Critical Times (Het Nieuwe Instituut Rotterdam, 21 Nov 2020) and at Driving the Human Opening Festival (ZKM Karlsruhe, 22 Nov 2020).]]</span>

Juju: /* representation */

2022-04-07T13:03:10Z

representation

← Older revision		Revision as of 15:03, 7 April 2022
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	==representation==		==representation==
	<span class="author">Feral Atlas</span>		<span class="author">Feral Atlas
			<br>(Lili Carr & Feifei Zhou)</span>

	''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?		''Feral Atlas'' sometimes uses the term ‘stories’ to refer to how we tell things and so form knowledge. Our use of the term is to open up a discussion of genre. What kind of storytelling is most appropriate for the Anthropocene?

Juju: /* representation */

2022-03-21T21:29:17Z

representation

← Older revision		Revision as of 23:29, 21 March 2022
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	''Feral Atlas'' is curated and edited by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou. It can be accessed online at Stanford University Press: [http://www.feralatlas.org <u>www.feralatlas.org</u>]		''Feral Atlas'' is curated and edited by Anna L. Tsing, Jennifer Deger, Alder Keleman Saxena and Feifei Zhou. It can be accessed online at Stanford University Press: [http://www.feralatlas.org <u>www.feralatlas.org</u>]

	<span class="spread">[[File:Representation - Feral Atlas.jpg\|thumb\|~~Copyright: Lili Carr & Feifei Zhou]]</span>~~		<span class="spread">[[File:Representation - Feral Atlas.jpg\|thumb\|A collective work by the participants of ''Feral Atlas as a Verb'' @ Making Matters Symposium: Collective Material Practices in Critical Times (Het Nieuwe Instituut, Rotterdam, 21 November 2020) and @ Driving the Human Opening Festival (ZKM Karlsruhe, 22 November 2020). Copyright: Lili Carr & Feifei Zhou]]</span>

	A collective work by the participants of ''Feral Atlas as a Verb'' @ Making Matters Symposium: Collective Material Practices in Critical Times (Het Nieuwe Instituut, Rotterdam, 21 November 2020) and @ Driving the Human Opening Festival (ZKM Karlsruhe, 22 November 2020).