Colophon: Difference between revisions
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==<div class="colophon-titles">colophon</div>== | ==<div class="colophon-titles">colophon</div>== | ||
<span class="author"> </span> | <span class="author"> </span> | ||
'''Editors | '''Editors''' <br> | ||
Janneke Wesseling, Florian Cramer | Janneke Wesseling, Florian Cramer | ||
| Line 11: | Line 10: | ||
'''Contributors'''<br> | '''Contributors'''<br> | ||
Aliens in Green, a.pass / Lilia Mestre, Florian Cramer, Display Distribute / Elaine W. Ho, Feral Atlas / Lili Carr, Anja Groten, Thalia Hoffman, Jatiwangi art Factory / Ismal Muntaha, Eleni Kamma, Frans-Willem Korsten, Klaas Kuitenbrouwer, Pia Louwerens, Dani Ploeger, Kate Rich, Femke Snelting, Olu Taiwo, Janneke Wesseling, West / Baruch Gottlieb, West / Akiem Helmling, Z. | Aliens in Green, a.pass / Lilia Mestre, Florian Cramer, Display Distribute / Elaine W. Ho, Feral Atlas / Lili Carr & Feifei Zhou, Anja Groten, Thalia Hoffman, Jatiwangi art Factory / Bunga Siagian & Ismal Muntaha, Eleni Kamma, Frans-Willem Korsten, Klaas Kuitenbrouwer, Pia Louwerens, Dani Ploeger, Kate Rich, Femke Snelting, Olu Taiwo, Janneke Wesseling, West / Baruch Gottlieb, West / Akiem Helmling, | ||
<br>Z. Blace (zBlace / Z. Blacé) | |||
'''Design''' Hackers & Designers | '''Design''' <br> | ||
Hackers & Designers | |||
'''Partners'''<br> | '''Partners'''<br> | ||
Academy of Creative and Performing Arts, Leiden University<br> | Academy of Creative and Performing Arts, | ||
<br>Leiden University<br> | |||
Het Nieuwe Instituut, Rotterdam<br> | Het Nieuwe Instituut, Rotterdam<br> | ||
Waag, Amsterdam<br> | Waag, Amsterdam<br> | ||
| Line 25: | Line 27: | ||
'''Copy-editing''' Leo Reijnen | '''Copy-editing''' <br> | ||
Leo Reijnen | |||
<span class="page-break"> </span> | |||
'''Proofreading''' Els Brinkman | <div class="colophon-no-indent">'''Proofreading'''<br> | ||
Els Brinkman</div> | |||
'''Index''' Elke Stevens | '''Index''' <br> | ||
Elke Stevens | |||
'''Paper Inside'''<br> | '''Paper Inside'''<br> | ||
Holmen TRND, 70 grs 2.0 | |||
'''Paper Cover'''<br> | '''Paper Cover'''<br> | ||
Fedrigoni Acquerello, 220 grs | |||
| Line 51: | Line 57: | ||
'''Publisher'''<br> | '''Publisher'''<br> | ||
Valiz, Amsterdam, | Valiz, Amsterdam, <br> | ||
& Pia Pol www.valiz.nl | Astrid Vorstermans & Pia Pol | ||
<br>www.valiz.nl | |||
<span class="page-break"> </span> | |||
<div class="referencing">© All rights reserved for all images, | <div class="referencing">© All rights reserved for all images, 2022<br> | ||
The editors, contributors and the publisher have made every effort to secure permission to reproduce the listed material, illustrations and photographs. We apologize for any inadvert errors or omissions. Parties who nevertheless believe they can claim specific legal rights are invited to contact the publisher. info@valiz.nl</div> | |||
Creative Commons | <div class="referencing">Creative Commons CC—BY—NC—ND 4.0<br> | ||
The texts in this book are licensed under a Creative Commons | The texts in this book are licensed under a Creative Commons Attribution—NonCommercial—NoDerivativeWorks 4.0 license.</div> | ||
The user is free to share — to copy, distribute and transmit the work under the following conditions: | <div class="referencing">The user is free to share — to copy, distribute and transmit the work under the following conditions:</div> | ||
<div class="colophon-list"> | <div class="colophon-list"> | ||
* | * Attribution—You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). | ||
* | * Noncommercial—You may not use this work for commercial purposes. | ||
* No Derivative | * No Derivative Works—You may not alter, transform, or build upon this work. | ||
</div> | </div> | ||
<div class="referencing">With the understanding that:</div> | |||
With the understanding that: | |||
<div class="colophon-list"> | <div class="colophon-list"> | ||
* | * Waiver—Any of the above conditions can be waived if you get permission from the copyright holder.<br> | ||
* Other | * Other Rights—In no way are any of the following rights affected by the license:<br> | ||
* Your fair dealing or fair use rights;<br> | * Your fair dealing or fair use rights;<br> | ||
* The author's moral rights;<br> | * The author's moral rights;<br> | ||
| Line 84: | Line 90: | ||
'''<div class="referencing">Notice</div>''' | |||
The full license text can be found at: creativecommons.org/licenses/by/4.0 | <div class="referencing">For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to the web page mentioned below.<br> | ||
The full license text can be found at: creativecommons.org/licenses/by/4.0</div> | |||
<div class="referencing">International distribution</div> | |||
<div class="colophon-list"> | <div class="colophon-list"> | ||
* BE/NL/LU: Centraal Boekhuis, centraal.boekhuis.nl | * BE/NL/LU: Centraal Boekhuis, centraal.boekhuis.nl | ||
* GB/IE: | * GB/IE: Central Books, centralbooks.com | ||
* Europe (excl GB/IE)/Asia: Idea Books, ideabooks.nl | * Europe (excl GB/IE)/Asia: Idea Books, ideabooks.nl | ||
* Australia: Perimeter, perimeterdistribution.com | * Australia: Perimeter, perimeterdistribution.com | ||
| Line 104: | Line 107: | ||
</div> | </div> | ||
</ | <span class="page-break"> </span> | ||
'''Support'''<br> | <div class="colophon-no-indent">'''Support'''<br> | ||
The Making Matters research, symposium and this publication have been generously supported by the Dutch Research Council (NWO), part of the project ‘Bridging art, design and technology through Critical Making’ (project number 314-99-203), research programme Smart Culture. | The Making Matters research, symposium and this publication have been generously supported by the Dutch Research Council (NWO), part of the project ‘Bridging art, design and technology through Critical Making’ (project number 314-99-203), research programme Smart Culture.</div> | ||
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Printed and bound in the EU | Printed and bound in the EU | ||
</div> | |||
<span class="page-break"> </span> | <span class="page-break"> </span> | ||
Latest revision as of 09:44, 1 May 2022
colophon
Editors
Janneke Wesseling, Florian Cramer
Editorial committee
Florian Cramer, Anja Groten, Klaas Kuitenbrouwer, Pia Louwerens, Marie-José Sondeijker, Janneke Wesseling
Contributors
Aliens in Green, a.pass / Lilia Mestre, Florian Cramer, Display Distribute / Elaine W. Ho, Feral Atlas / Lili Carr & Feifei Zhou, Anja Groten, Thalia Hoffman, Jatiwangi art Factory / Bunga Siagian & Ismal Muntaha, Eleni Kamma, Frans-Willem Korsten, Klaas Kuitenbrouwer, Pia Louwerens, Dani Ploeger, Kate Rich, Femke Snelting, Olu Taiwo, Janneke Wesseling, West / Baruch Gottlieb, West / Akiem Helmling,
Z. Blace (zBlace / Z. Blacé)
Design
Hackers & Designers
Partners
Academy of Creative and Performing Arts,
Leiden University
Het Nieuwe Instituut, Rotterdam
Waag, Amsterdam
West Den Haag
Willem de Kooning Academy and Piet Zwart Institute, Rotterdam
Copy-editing
Leo Reijnen
Proofreading
Els Brinkman
Els Brinkman
Index
Elke Stevens
Paper Inside
Holmen TRND, 70 grs 2.0
Paper Cover
Fedrigoni Acquerello, 220 grs
Lithography
Mariska Bijl, Wilco Art Books, Amsterdam
Printing and Binding
Wilco Art Books, Amersfoort
Publisher
Valiz, Amsterdam,
Astrid Vorstermans & Pia Pol
www.valiz.nl
© All rights reserved for all images, 2022
The editors, contributors and the publisher have made every effort to secure permission to reproduce the listed material, illustrations and photographs. We apologize for any inadvert errors or omissions. Parties who nevertheless believe they can claim specific legal rights are invited to contact the publisher. info@valiz.nl
The editors, contributors and the publisher have made every effort to secure permission to reproduce the listed material, illustrations and photographs. We apologize for any inadvert errors or omissions. Parties who nevertheless believe they can claim specific legal rights are invited to contact the publisher. info@valiz.nl
Creative Commons CC—BY—NC—ND 4.0
The texts in this book are licensed under a Creative Commons Attribution—NonCommercial—NoDerivativeWorks 4.0 license.
The texts in this book are licensed under a Creative Commons Attribution—NonCommercial—NoDerivativeWorks 4.0 license.
The user is free to share — to copy, distribute and transmit the work under the following conditions:
- Attribution—You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work).
- Noncommercial—You may not use this work for commercial purposes.
- No Derivative Works—You may not alter, transform, or build upon this work.
With the understanding that:
- Waiver—Any of the above conditions can be waived if you get permission from the copyright holder.
- Other Rights—In no way are any of the following rights affected by the license:
- Your fair dealing or fair use rights;
- The author's moral rights;
- Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights.
Notice
For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to the web page mentioned below.
The full license text can be found at: creativecommons.org/licenses/by/4.0
The full license text can be found at: creativecommons.org/licenses/by/4.0
International distribution
- BE/NL/LU: Centraal Boekhuis, centraal.boekhuis.nl
- GB/IE: Central Books, centralbooks.com
- Europe (excl GB/IE)/Asia: Idea Books, ideabooks.nl
- Australia: Perimeter, perimeterdistribution.com
- USA, Canada, Latin-America: D.A.P., artbook.com
- Individual orders: valiz.nl; info@valiz.nl
Support
The Making Matters research, symposium and this publication have been generously supported by the Dutch Research Council (NWO), part of the project ‘Bridging art, design and technology through Critical Making’ (project number 314-99-203), research programme Smart Culture.
The Making Matters research, symposium and this publication have been generously supported by the Dutch Research Council (NWO), part of the project ‘Bridging art, design and technology through Critical Making’ (project number 314-99-203), research programme Smart Culture.
Valiz, Amsterdam 2022
ISBN 978-94-93246-11-9
Printed and bound in the EU